Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
Off stage, though, she was falling in love again — this time with someone who championed her just as much as the fans did in the areas. It’s apt that she would turn to Max Martin and Shellback, her 1989 and reputation collaborators, to bring that same captivating pop soundscape to The Life of a Showgirl and to capture some of the energy Swift was experiencing. And after two decades in the business, the 14-time GRAMMY winner is giving everyone a glimpse of what she describes as “the most infectiously joyful, wild, dramatic” chapter of her life thus far.
- Regarded as a turning point in her career, it marked a shift from the Caribbean-influenced sound of her earlier work, embracing a more contemporary pop direction driven by uptempo dance tracks.
- When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama.
- Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star.
- The post featured a photo of Rihanna holding her new daughter, Rocki Irish Mayers, who was born on September 13.
- Even after Swift spent some time away from the spotlight, the public didn’t immediately gravitate toward her return.
- Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide.
Fenty
On the Life of a Showgirl track directly named after the late icon, Swift circles back to the themes she touched on with folklore’s “Peace” and the tension between her private reality and her public persona. While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels. And on The Tortured Poets Department’s “The Prophecy,” she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.
Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates. And with that tour having celebrated her life’s work up to now, The Life of a Showgirl feels like the exhale before a brand new beginning. “That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me, and the tour that really inspired this album. So it’s the last track of the album and a really special one to me.” For a project about being a showgirl, introducing people to the concept of the album at the end was puzzling for some. For her, finding a balance between her career and love, and realizing that they can coexist, makes this album one of Swift’s most — if not the most — romantic to date. Yet these songs admit that she doesn’t want to carry it all alone; she wants partnership, to build something with someone else.
The two officially dated again for a time, with Rihanna maintaining in a Rolling Stone interview that Brown had changed and that any form of abuse would be unacceptable. In 2009, Rihanna was the center of betista casino a media firestorm after a domestic violence incident in which her then-boyfriend Chris Brown assaulted her before an awards show. Prior to that, she was in an on-again-off-again romance with longtime collaborator Drake for more than 7 years, starting in 2009. Most notably, she owns the popular cosmetics line Fenty Beauty, which she launched in 2017.
And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.
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To celebrate Taylor Swift’s newest era with The Life of a Showgirl, GRAMMY.com looks back on all of her albums (Taylor’s Versions not included) and how each era shaped her remarkable career. Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond. Oh, and she’s also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist. Upon the arrival of Taylor Swift’s ‘The Life of a Showgirl,’ take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today. And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”
Jess Cartner-Morley of The Guardian called her wardrobe “the most talked-about, influential and dissected in pop”, stating that whatever she wears is quickly reproduced in mainstream fashion. Rihanna has credited her mother as the earliest inspiration for her love of fashion, recalling how she admired her getting dressed as a child. With the release of her third album Good Girl Gone Bad (2007), Rihanna abandoned her innocent image in favour of a sharper, edgier style. Known for her changing style and image, Rihanna’s music and fashion choices have been closely followed by the media. Rihanna has been described by the media as a pop and fashion icon, particularly since the release of Good Girl Gone Bad (2007). InStyle’s George Epaminondas described Rihanna’s videos as cinematic and highlighted their island rhythms, pop sensibilities, and playful sensuality.
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Adopting a more mature image, Rihanna rose to stardom and transitioned to dance-pop and R&B with the album Good Girl Gone Bad (2007) and its reissue, subtitled Reloaded (2008). Known for her artistic reinventions, she is an influential figure in both music and fashion. She’s closing a chapter of her life — saying goodbye to the heartbreaks, pleading and scrutiny — and embracing a new, well, era that was quietly created during the behind-the-scenes of The Eras Tour. At its heart, The Life of a Showgirl goes beyond the fame, accolades, praise, and anything else Swift has been awarded in her 20-year career. Swift herself has long embodied independence through redefining over and over what it means to be a pop star for over two decades.
- She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty.
- Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey.
- With estimated worldwide sales exceeding 250 million records as of 2023, Rihanna is one of the best-selling music artists of all time.
- On the track “A Place In This World,” a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path.
- She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met.
Eventually, her bold move to the United States at 16 years old marked the beginning of her journey to stardom, as she pursued her passion for singing and songwriting with determination. Despite these difficulties, Rihanna showcased resilience and creativity from a young age, channeling her personal experiences and pain into music. She is the eldest of three siblings, navigating a childhood fraught with challenges, including her father’s struggles with substance abuse and her parents’ tumultuous marriage, which ultimately ended in divorce when she was just 14. Rihanna, born Robyn Rihanna Fenty on February 20, 1988, in St. Michael Parish, Barbados, is a globally renowned pop star, singer, and fashion icon.
“And it turns out that’s not the case at all … and we just were catching lightning in a bottle with this record.” “I used to kind of have this dark fear that if I ever were truly happy and free being myself and nurtured by a relationship, what happens if the writing just dries up? What if writing is directly tied to my torment and pain?” she said ahead of the album’s release. “Wood” is Swift taking cues from fellow showgirl Carpenter, winking at listeners as she weaves as many innuendos about the word as possible. “The Fate of Ophelia” might be Swift’s best lead single since “Mine” in 2010, thanks to its infectious beat and memorable chorus.
Rihanna on A$AP Rocky: ‘I chose right!’
Their “FourFiveSeconds” is a pop-folk hybrid with a universal message about carrying the weight of the world on your shoulders. Another overlooked jam, her sultry “Can’t Remember to Forget You” duet with Shakira sees both stars trade lines about struggling to let go of an undeserving lover. Both larger-than-life productions won GRAMMYs for Best Rap/Sung Collaboration in 2010 and 2012, respectively.
Life and career
More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like “Love Story” and “You Belong With Me,” yet still keeps the confessional attributes known in country songwriting. Even as a new country artist, critics claimed that she “mastered” the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. One writer in particular, Liz Rose, applauded Swift’s songwriting capabilities, stating that she was more of an “editor” for the songs because Swift already had such a distinct vision.
Her debut album, “Music of the Sun,” further solidified her presence, selling over two million copies worldwide and setting the stage for her meteoric rise in the years to come. Jay-Z was immediately captivated, signing her on the spot and launching her career in the music industry. Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career. Relocating from her home in Barbados to Connecticut, she stayed with music producer Evan Rogers and his wife.
The thing that differentiated her from other writers — and still does to this day — is her songwriting. The world now knows Taylor Swift as a global pop superstar, but back in 2006, she was just a doe-eyed country prodigy. Despite its ghoulish title, artificial intelligence appears to be the object of terror in what many, including the GRAMMY voters who awarded it Best Pop Duo/Group Performance in 2024, regard as the highlight of SZA’s sophomore. But four years after the Team Edward vs Team Jacob saga wrapped up, folk hero Jason Isbell proved mythical bloodsuckers weren’t a barrier to awards success. David Bowie fans may well feel aggrieved that his post-punk classic “Scary Monsters (and Super Creeps)” was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards. It’s a bold feminist act that helped power parent album CrazySexyCool to diamond status and was deservedly rewarded with Best R&B Performance By A Duo Or Group With Vocal at the 1996 GRAMMYS (where CrazySexyCool was also crowned Best R&B Album).
In 2016, it was confirmed that Rihanna would release her music through her own label, Westbury Road Entertainment, founded in 2005 and named after her childhood home in Barbados. Including Beyoncé and Jay-Z, 16 artist stakeholders co-own Tidal, most of whom own a 3% equity stake. He highlighted her multifaceted career, “from her business achievements through Fenty to her tremendous record as an activist and philanthropist”.
She especially enjoyed singing and won a high-school talent show with a rendition of a Mariah Carey song. As a child, she listened to Caribbean music, such as reggae, as well as American hip-hop and R&B. Rihanna (born February 20, 1988, St. Michael parish, Barbados) is a Barbadian pop and rhythm-and-blues (R&B) singer who became a worldwide star in the early 21st century. In 2022, Rihanna advocated for reforming the global financial system to better address climate change and poverty, including providing aid to nations most affected by climate-related crises. In October 2019, she stated that she declined to perform at the 2020 Super Bowl halftime show in support of Colin Kaepernick following the controversy surrounding his role in the national anthem protests. Proceeds from the single supported the fundraiser, which ultimately helped raise $100 million for cancer research.